This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. As lead vocalist of prog metal band im in doubt between the dynamic KSM8 and the KSM9.. What would you recommend? Dynamic mics are particularly suited to live and stage use. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. jim martin death couples massage class san diego beaver falls football shure axient combiner. So, are there any downsides? Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! The outer grille has been tempered to provide years of dent resistance. She will be using IEM with this mic. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. I think the champagne looks very chic! You can easily make one of these out of stockings, or buy one here. Its one of those things that comes down to personal taste. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. 2:11 Shure KSM8 Only Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. The grille interior is lined with a hydrophobic woven fabric. Essential is part of Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. Shure Audio Institute. Dualdyne capsule continues the ongoing evolution of microphone technology. As low as $62/mo. ksm9 hs surprising on no feedback. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. These are the vibrations in the sub bass range that youll feel more than hear. There are no user-serviceable parts inside. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. 1.93 in. With its unique dual-diaphragm design, is Shures latest offering the greatest advance in dynamic mic technology since the Unidyne? A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. MA 02210. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. Whereas condenser mics are active meaning they need something called power phantom power. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. Where the magic happens! The output of these capsules is manipulated electronically to support two pickup patterns . There were four models in AKGs dual-capsule range, starting with the D200. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . Enter the Shure KSM9 a condenser mic for the live stage. On first listen, the two mics have a similarly clear and transparent sound. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. Price $699. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. All rights reserved. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Jan 28, 2013. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? Go for the shorter lengths where possible. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. Always works in a rock setting. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. Shure: KSM8 & KSM9 Microphones. So having the benefits of that technology available on stage for the live-sound market is very appealing. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. mic. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. SM86 is Shure's best compromise. How vulnerable are these mics to dropping on the stage? Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. All you need to know about wireless microphones. A dynamic microphone revolution that only Shure could stage. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. Here we really missed the added proximity oomph, particularly for the guitar. These marks may be registered in other jurisdictions. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. The views expressed are those of the contributors and not necessarily those of the publishers. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. The Neumann KMS105 is another live handheld condenser mic. You wont have the super resilience of a dynamic mic. Shure KSM9 vs Sennheiser E965 for Vocals. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. It can also be a bit more forgiving when it comes to microphone technique. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. More videos like Shure KSM8 vs. KSM9 | What's the Difference? Don't Let Dirty Power Ruin Your Recordings. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. And lets hope youre not positioned next to the drum kit! The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Inside, the microphone features a Class A, transformerless preamplifier circuit. Why you can trust MusicRadar See giveaway details & rules or check out our past winners! I cant hide my enthusiasm about the Shure KSM9 its a great live mic. 71 user ratings. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer.